Adam Carolla and Dennis Prager examine the reality of life and discourse on college campuses in modern America.

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.

A moving portrait of a creative sanctuary lost to gentrification. Centered on the now-vanished warehouse at 411 New York Avenue NE, the film revisits the final year of Union Arts DC—a vibrant hub that from 2012 to 2016 was home to visual artists, musicians, performers, and dreamers. Through archival footage, intimate interviews, and the voices of artists who worked and performed there, the documentary captures the spirit of a space where art thrived and community flourished—until developers arrived with plans for a boutique hotel. As tenants rallied to save their space, Making Spaces: The Legend of Union Arts becomes a powerful elegy for what was lost and a rallying cry for what’s still at stake in the future of DC’s cultural landscape.

World War II is about to end. Benito Mussolini, il Duce, supreme dictator of Fascist Italy, sees his totalitarian dream crumbling and his power slipping away as the terrible day of his ignominious death at the hands of those he so ruthlessly oppressed for more than two decades draws inexorably near.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Explore the mesmerizing world of whales, the ocean’s majestic rulers, through vivid footage from 20 nations. On this journey, whales show their incredible ability to traverse halfway around the earth and to dive to great depth in a single breath. Yet, amidst their splendor lies a shocking truth about our planet. What is their final call to protect our future?

Housebound because of illness, Caroline (Maisie Williams) hasn’t been to school in months or had many visitors - until classmate Anthony (Zach Wyatt) bursts into her room uninvited, armed with waffle fries and a copy of Walt Whitman’s Leaves of Grass.

Suffering from a crippling memory loss ever since an accident at the age of six, Toshiaki finds new hope, and a new mystery, when he is visited by a girl from his own future.